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The Nice Ever Underestimate A Woman Who Works At Glaxosmithkline Shirt. A huge chunk goes to the record label. They make a much better percentage from touring. Label gives you money upfront to make the album, but expect you to pay it back. Once the album is out it has to sell a certain amount to repay the “loan” you got to make it. But also it’s near impossible to meet any goals because album sales have become trash in the last couple of decades, because why wouldn’t you just buy the individual songs that you like? The future is now, my dudes. Also, you have to pay royalties (for life) to the studio (producer, engineer, etc) based on record sales. They gotta get their share of the pie too, my man.

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The artist could do all the Nice Ever Underestimate A Woman Who Works At Glaxosmithkline Shirt, but then they would have to pay for it. I remember hearing that Nine Inch Nails held out doing this for a while before noticing that his concerts weren’t getting advertised while others were. Record label gets a share of every single dollar, no matter how it’s made. T-shirts, bumper stickers, pins, custom phone cases, whatever. Doesn’t matter that they had no part in making it, they still profit from it. It’s a soul-crushing contract designed to suck an artist’s soul straight out of their butthole. Are artists like businesses. If they decided to stop recording under one name and start a new band or under another name, does the contract follow them?

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There are (or were, at least) exclusivity clauses that would prevent the artists from being able to sign another contract with a Nice Ever Underestimate A Woman Who Works At Glaxosmithkline Shirt. That’s why you’d frequently have artists recording their “solo” albums with the same company as their original band. Simply changing the name of the band wouldn’t be enough to get out from under the mountain of AR men, libel lawyers, etc. The label is still going to want the original band to churn out the 3 more albums (or whatever the deal was) or they’ll sue for breach of contract.

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